TWILIGHT VOYAGER |
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1997 SMCD 8303 |
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TITLES: |
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Rudolf Heimann latest release. After his
CDs 'Touch The Sky', 'Trancefusion' and 'Strange Delight'
there was a break. Now he is back with his successful track
'Coral Island Memories'. "...Between
Techno and instrumental Synthie-Pop..." (Coolibri 12/97) |
TIDE |
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2010 SMCD 8304 |
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A fresh
melodic album produced in an excellent Heimann-typical
sound! Pleasingly accessible though touching titles remind
us of his successful albums like "Touch The Sky" and
"Twilight Voyager". Heimann created many new ideas by
combining dreamy melodies and harmonies with decently
driving beats. |
TOUCH THE SKY (Remaster 2017) |
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2017 SMCD 8305 |
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Remastered
by EROC including 2 bonus tracks Rudolf
Heimann looks back to a long musical career having been busy
in various projects and various genres. When I get asked
what his most amazing solo album is, my answer is quite
prompt: Touch The Sky (from1992). This album
has been out of stock for a very long time. Now you can get
this remastered release including 2 bonus tracks. Bernd
Kistenmacher (Musique Intemporelle) comment to the new
release: Further
Heimann CDs on Spheric Music: |
DIE UNENDLICHKEIT DES AUGENBLICKS |
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2019
SMCD 8306 |
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Style:
Cinematic Electronic Does God exist? What is infinity? Rudolf Heimann will not answer these fundamental questions for us. But he invites us to pose them and to ponder with them by taking us on a fascinating musical and spiritual journey. Wem die Stunde schlägt (For Whom the Bell Tolls) or Ad Infinitum encourage us to question the very meaning of life. Heimann carefully reinterprets the relevance of ancient Christian ideas in contemporary life and society, importantly however, entirely without taking sides. On his last track Rede des toten Christus vom Weltgebäude herab, dass kein Gott sei (30 min.), Heimann goes even further. Set to a lyric crafted in 1797 by German Romanticist Jean Paul and narrated by Roland Paroth, he readily enables us to rediscover our own world of dreams and fantasies. Can we be sure about reality? How can we grasp the eternal? In this new
musical adventure, Heimann takes his signature style to the
next level, blending Berlin School synthesizer music with
orchestral film score elements in unique and creative ways.
Carefully weaving natural instrument sounds such as acoustic
guitar, cello and church organ together with thick synthetic
sound layers, and occasionally adding surprising rock and
spiritual elements (Niemand kennt Zeit noch
Stunde), Heimann invites us to travel through a rich
and ever evolving landscape of sound. |
How to order |
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